Tag Archives: Writers

The Girl With The Dragon Tattoo

Stieg Larsson

Stieg Larsson

In February, our book club read The Girl with The Dragon Tattoo by Stieg Larsson (translated by Reg Keeland).  Everyone decided that it was “just what we needed.”  We usually read literary works — national book award winners, etc.  But sometimes you just need to read a mystery.  And this is a smart mystery.  We admired the writing, the subject matter and the setting in Sweden as well as the suspense.  It’s a book you can’t put down.  It wasn’t the prefect book, employing some cliched situations, and it certainly wasn’t uplifting, but we couldn’t wait to find out what happened next anyway. We also can’t wait for Larsson’s next two books. Sadly, these two books will also be his last, because he died in 2004.  (Below is a review from the New York Times.)

Here’s what Chris wrote:  I really did like it.  It kept me engrossed; sadism is not, however, something I enjoy reading about.  I hated the ending but it made great sense and any other would have been hokey.  I thought the relationships were well done, especially for a detective/suspense novel.  I’d bought that book for Bill as one of top 100 (crime/suspense) novels I researched on the web and knew he liked that author….he’s reading it now, too late, every night…..

Judy reported: In fact, I’ve recommended “Dragon” to several people, including our librarian. It should delight computer nerds. In fact, I found a news report that detailed a similiar action recently. And it’s well written. I found the cadence particularly interesting and concluded it must be a “Swedish thing”.
On another matter I have just read a fascinating paperback which is the original F. Scott Fitzgerald story of “The Curious Case of Benjamin Button” and immediately following I read the screenplay for the movie. Since I have NOT seen the movie the juxtaposition is particularly interesting because the two are so different in tone and content. I  heartily advise reading this book front to back—-not two separate stories weeks or years apart. It shows so graphically what happens when a book or story becomes a movie and, moreover, why some changes are necessary for commercial success. Even to Fitzgerald!                                                                                                                               
Cheers—–

 

 

New York Times review by Michiko Kakutani, published September 30, 2008.

Combine the chilly Swedish backdrop and moody psychodrama of a Bergman movie with the grisly pyrotechnics of a serial-killer thriller, then add an angry punk heroine and a down-on-his-luck investigative journalist, and you have the ingredients of Stieg Larsson’s first novel, “The Girl With the Dragon Tattoo,” a huge best seller in the author’s native Sweden, and a sensation in France, Germany and the Netherlands too.

It’s Mr. Larsson’s two protagonists — Carl Mikael Blomkvist, a reporter filling the role of detective, and his sidekick, Lisbeth Salander, a k a the girl with the dragon tattoo — who make this novel more than your run-of-the-mill mystery: they’re both compelling, conflicted, complicated people, idiosyncratic in the extreme, and interesting enough to compensate for the plot mechanics, which seize up as the book nears its unsatisfying conclusion.

Mr. Larsson — who died in 2004, shortly after turning in this novel and two companion volumes — was himself a journalist and a magazine editor, and his knowledge of this world enables him to do a credible job of recounting Blomkvist’s efforts to investigate the two biggest stories of his career: corruption, embezzlement and money laundering on the part of a big-shot Swedish industrialist, and the disappearance of a 16-year-old girl named Harriet, who seemingly vanished without a trace during a family reunion.

At the same time, Mr. Larsson uses his reportorial eye for detail and an instinctive sense of mood to create a noirish picture of Stockholm and a small island community to the north, showing us both the bright, shiny lives of young careerists and older aristos, and a seamy underworld where sexual and financial corruption flourish.

When it comes to explaining the mystery behind Harriet’s disappearance and the big reveal about her family’s secret, however, Mr. Larsson stumbles badly, resorting to every bad cliché from every bad serial-killer movie ever shown on late night TV — a pity since he’s done such a credible job of showing how Blomkvist has been piecing together clues from police files, interviews and old photographs. It’s as if the author had shown us how an intricate jigsaw puzzle had been put together — from border outlines and chunks of the picture, down to the last few missing pieces — only to pull back at the end to show us that the completed puzzle depicts not an interesting photograph or painting, but a garish slasher cartoon.

Blomkvist, we learn, is a disgraced reporter, who — for reasons that become clear only later — has just lost a criminal libel case brought by a Swedish tycoon named Hans-Erik Wennerström. Blomkvist’s magazine is now teetering toward financial ruin, even as Blomkvist himself is pondering how to pay his legal bills.

In steps another prominent industrialist named Henrik Vanger, who makes Blomkvist an offer he can’t refuse: investigate the decades-old case of Vanger’s grand-niece Harriet, who disappeared one autumn day in the 1960s; in return, Vanger will pay Blomkvist handsomely, and he will also provide Blomkvist with some revealing information about Wennerström, who got his start with Vanger’s company many years ago.

Harriet’s disappearance is a variation on one of those locked-room puzzles constructed by mystery writers like Dorothy Sayers. The teenager was last seen on the small island that the Vanger clan calls home one September afternoon in 1966; a spectacular accident involving an oil truck had closed the one bridge to the island for 24 hours, and when family members noticed her absence the following morning, search parties looked for her everywhere: going through every building, chimney and well, scouring every field and cliff, dragging all the spots where she might have drowned.

Vanger is convinced that Harriet was murdered, and that her murderer has been taunting him ever since. Each year, on his birthday, he has received in the mail a pressed flower in a picture frame, the same gift Harriet gave him when she was a child; the flowers always arrive in padded envelopes with no return address.

After studying the available evidence and meeting many members of the Vanger family (many of whom seem to harbor ancient grievances against one another), Blomkvist manages to turn up three new pieces to the Harriet puzzle. To put them together, he enlists the help of Salander, a freelance investigator for a security firm who once investigated Blomkvist himself. Salander, a wraith-thin waif with a ferocious, take-no-prisoners attitude and history of anti-social behavior, seems less like a conventional detective than like a loaded gun, waiting to go off. She and Blomkvist make a very odd pair indeed — picture Angelina Jolie teamed up with a young Robert Redford — but their peculiar chemistry is what fuels this novel, particularly as Mr. Larsson loses control of his messy, increasingly implausible plot.

In fact, it’s clear as the story progresses that Mr. Larsson has no idea how to create a credible villain, for the two people most responsible for Harriet’s disappearance turn out to be patched-together bad guys with none of the malevolent originality of Thomas Harris’s Hannibal Lecter or the manipulative perversion of Catherine Tramell in “Basic Instinct.”

It’s the detectives who are the stars of “The Girl With the Dragon Tattoo,” and the reader can only hope that Salander and Blomkvist put in return appearances in the two other novels Mr. Larsson completed before his death.

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“Shadow Country,” book for January 2009

Published: April 27, 2008 in the New York Times

In 1898, 42-year-old Edgar J. Watson became a living legend when a book credited him with shooting the outlaw queen Belle Starr nine years earlier. The descendant of a prominent South Carolina family, the legal or common-law husband of five women, the father of possibly 10 children, a leading pioneer on the southwest coast of Florida and a man killed by a large group of his neighbors in 1910, the historical Watson has obsessed Peter Matthiessen for three decades. Between 1990 and 1999, the novels that grew out of that obsession — “Killing Mister Watson,” “Lost Man’s River” and “Bone by Bone” — were first published. In his author’s note to “Shadow Country: A New Rendering of the Watson Legend,” Matthiessen says his initial manuscript ran to more than 1,500 pages, which he was persuaded to trim and split into three books. “Shadow Country” is not a restoration of the original version but a substantial revision and the kind of rendering done in slaughterhouses, a reduction of the trilogy’s 1,300-plus pages to a more easily consumed 900 or so.

“Shadow Country” has three “books” that roughly correspond to the separate novels. Book I begins with a third-person description of Watson’s death and proceeds to the testimony of 12 first-person narrators, many of whom return several times. Except for Watson’s daughter Carrie, who writes a diary, they seem to be reciting their colloquial, digressive and sometimes unreliable memories for an oral historian. Most of these highly engaging tale-tellers are friends, employees, neighbors and relatives who knew Watson from the year — 1894 — when he first came to the region of Florida called the Ten Thousand Islands. They admire his gentlemanly manners and good looks, his hard and innovative work raising a sugar plantation from land that was little more than a mound of shells. They are also taken with his wit. He “looked and acted,” declares a woman named Mamie Smallwood, “like our idea of a hero.” But even his closest acquaintances fear Watson, sometimes for the qualities they admire, more often for his temper, his drinking and his ever present pistol.

Not long after Watson brings his wife and children to their new home at Chatham Bend, the community hears the Belle Starr story. Watson enjoys employing his reputation as a “desperado” to intimidate anyone he considers a competitor, but when a young couple squatting on his land are murdered, Watson’s history (or legend) works against him. The only suspect, he must flee his plantation, returning just for quick visits until, seven years later, he shows up with a new wife and children. Once again his past shadows him: while away from the Everglades, he beat a murder charge through the intervention of powerful friends. Now some relatives and friends shun him. Neighbors move away. Then three of his employees, one a woman, are found dead. Watson can’t prove his innocence, and when he aims his shotgun on his accusers they put 33 slugs into the man some call “bloody Watson.”

While providing smooth segues between speakers to form an essentially linear account of Watson’s rise and fall, Matthiessen uses his multiple narrators to create tantalizing ambiguities, not so much about the justice of Watson’s death or even about the facts of his life but about the contradictory attitudes of the poor “crackers” and mixed-bloods who called him “Emperor Watson.” Mamie Smallwood and her husband argue about Watson’s true nature; Mamie’s three brothers have shifting views of the enigmatic stranger. Add the Harden family and Watson’s relatives, along with the sheriff supposedly investigating him, and Matthiessen’s presentation of conflicting race, class, clan and personal loyalties is masterly.

With its historical and legendary uncertainties, this first book is a deeper South “Absalom, Absalom!,” possibly even an hommage. Like Faulkner’s Thomas Sutpen, Watson is a red-haired, grand-planning outlander who creates a plantation from nothing, then carelessly destroys it and at least one of his sons. From boyhood, Watson carried around a history of ancient Greece. In Book I, the far-flung shadow of hubris is revealed by a chorus of individual voices. To the tragic dignity of Faulkner’s novel, Matthiessen adds the ironic indignity of seeing Emperor Watson’s body buried and his life recounted by the laboring folk that he, like Sutpen, dominated.

Matthiessen cut about a hundred pages from “Killing Mister Watson,” some of them unnecessary fake news items. “Lost Man’s River” has been reduced by 300 pages, many of them first-person narrations, so Book II of “Shadow Country” is much more conventionally plotted — the story of Lucius Watson’s obsessive quest for the truth about his father. A Ph.D. in history who travels the South in the late 1920s doing archival research and conducting interviews, Lucius joins up with his long-lost half brother, Rob. These two resemble the Harvard boys, Quentin Compson and Shreve McCannon, who try to put together the Sutpen puzzle. Lucius manages to get answers to some questions: Did Watson kill those two squatters? Did he murder black cane cutters he couldn’t pay? Was Watson shot first (and appropriately) by the mulatto Henry Short? When Matthiessen occasionally allows Lucius to “record” the old folks, Book II has the down-home authority and vernacular appeal of Book I. But too often this third-person narrative of the educated Lucius’ search for his father reads like the educated author’s research for his book.

At the end of Book II, Lucius breaks free from his past and his biographical project. But Matthiessen does not. In Book III he burrows farther back by imagining Watson’s own account of his whole life, which runs about the same number of pages as “Bone by Bone.” Because Watson narrates right up to the moment of his death and because he reads or refers to poems he was unlikely to have known, this final book feels like a literary contrivance. Since his “autobiography” isn’t a deposition — or any other kind of document — that Watson could use to deceive an audience, we can presumably trust his account of the facts, if not his interpretations and rationalizations. We learn that Watson was severely beaten as a boy and thinks he suffered brain damage because he has, you see, this split personality: Edgar, the family man, and Jack, the raging killer. It’s hard to know if it’s Watson or Matthiessen who makes Watson into a case study of pathology, a victim of child abuse. Either way, it’s a diminishment.

For readers who want all the earlier dots connected, the chronological back story offered by Book III — with its Reconstruction youth, Western adventures and North Florida misadventures — will be a welcome resolution. But as in Book II, Matthiessen often includes history lessons, presumably from research, that neither Watson the man nor Watson the fictional character would have needed to provide. And Matthiessen’s dead man talking sounds, unfortunately, like the sententious and oblivious Thomas Sutpen. Faulkner knew better than to let Sutpen tell almost half of “Absalom, Absalom!,” but that’s the share Watson gets in “Shadow Country.”

Watson lived in a massive swamp bordered by numerous islands. “Killing Mister Watson” and “Lost Man’s River” were appropriately tangled archipelagoes of fact-based storytelling. By reducing his Watson materials to one volume, Matthiessen has sacrificed qualities that gave those novels their powerful reinforcing illusions of authenticity and artlessness. Book I still has that Ten Thousand Islands quality, but “Shadow Country” as a whole is like the Tamiami Trail that crosses the Everglades. It offers a quicker and easier passage through the swamp, but fewer shades and shadows.

 

Tom LeClair has just finished the third novel in a trilogy. The first two are “Passing Off” and “Passing On.”

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“American Lightning,” book for November 2008

"American Lightning" by Howard Blum

The book for November 2008 is “American Lightning” by Howard Blum.

Editorial Reviews

From Publishers Weekly
Starred Review. In 1911, Iron Workers Union leaders James and Joseph McNamara plea-bargained in exchange for prison sentences instead of death after bombing the offices of the Los Angeles Times—killing 21 people and wounding many more. The bombing had been part of a bungled assault on some 100 American cities. After the McNamaras went to jail, Clarence Darrow, their defense attorney, wound up indicted for attempting to bribe the jury, but won acquittal after a defense staged by the brilliant Earl Rogers. The McNamaras were investigated by William J. Burns—near legendary former Secret Service agent and proprietor of a detective agency. Surprisingly, Burns’s collaborator in the investigation was silent film director D.W. Griffith. This tangled and fascinating tale is the stuff of novels, and Vanity Fair contributing editor Blum (The Brigade) tells it with a novelist’s flair. In an approach reminiscent of Truman Capote’s In Cold Blood, Blum paints his characters in all their grandeur and tragedy, making them—and their era—come alive. Blum’s prose is tight, his speculations unfailingly sound and his research extensive—all adding up to an absorbing and masterful true crime narrative. (Sept.) “”
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.”

From Bookmarks Magazine
Most critics were eager to learn more about this neglected event in American history and were glad to have Blum as their teacher. They were most impressed by the first half of the book, which covers the attacks and investigation and which was several times compared to a Hollywood thriller or an episode of the television show 24. Reviewers were less thrilled by the second part of the book, where Blum introduces Darrow and Griffith into the story. Several felt that these great American personalities were presented superficially, perhaps because Blum attempted too great a scope in the book. But on the whole, critics found American Lightning to be a satisfying work of narrative history.
Copyright 2008 Bookmarks Publishing LLC

Review
“An unforgettable tale of murder, deceit, celebrity, media manipulation, and film as propaganda, when the bombing of the Los Angeles Times building exposed the deadly ‘national dynamite plot’ by trade unionists to terrorize America with one-hundred bombings in a doomed attempt to force capitalism to its knees. The relentless pursuit, capture, trial, and punishment of the bombers made a national hero of America’s Sherlock Holmes, master detective Billy Burns, and entangled crusading defense lawyer Clarence Darrow in a reckless, nearly career-ending scheme to bribe witnesses and jurors and throttle justice. Gripping, surprising, often thrilling, American Lightning ranks among the most riveting works of narrative history.”
—James L. Swanson, author of the Edgar Award-winning New York Times bestseller Manhunt: The 12-Day Chase For Lincoln’sKiller

“This is a wonderful story, with a cast of characters out of a Cecil B. DeMille epic, told in a style that is lucid, lyrical, even electric. Narrative history at its very best.”
—Joseph J. Ellis, Pulitzer Prize winning author of Founding Brothers and American Creation

“In an approach reminiscent of Truman Capote’s In Cold Blood, Blum paints is characters in all their grandeur and tragedy, making them — and their era — come alive. Blum’s prose is tight, his speculations unfailingly sound and his research extensive — all adding up to an absorbing and masterful true crime narrative.”
Publishers Weekly (Starred Review)

“The author’s eye for scene-setting and subtle explication perfectly mimics a Griffith-style camera. Blum is at his best when exploring the motivations, the genius and the deep flaws of his three principals, men who occupied the same room only once in their lives, but who are memorably linked in this book. Unfailingly entertaining.”
Kirkus Reviews (Starred Review)

“In American Lightning Howard Blum brings to life the tragic bombing of the Los Angeles Times in l910. Writing with narrative verve and finely-honed detective instincts, Blum fleshes out the real story behind this hideous act of domestic terrorism. Highly recommended!”
—Douglas Brinkley, New York Times bestselling author of The Great Deluge and Tour of Duty and Professor of History, Rice University
 
“Howard Blum has given us a fascinating–and hugely entertaining–glimpse into early 20th-century America. The burgeoning labor movement, the dawn of the movies, bomb-toting anarchists, ‘the crime of the century,’ gimlet-eyed private detectives, Clarence Darrow,  you name it and it’s here. And–eat your hearts out, novelists–it’s all true.”
—John Steele Gordon, author of Empire of Wealth: The Epic History of American Economic Power

“As good a true-crime tale as you could hope to find, well-researched, vivid, irresistible.”
—Andrew Solomon, author of the National Book Award-winning The Noonday Demon

“Howard Blum has performed a literary miracle. He has brought back to vivid and relevant life a forgotten act of terrorism in America’s past — and made it as suspenseful and crowded with unforgettable characters as any novel I have ever read.”
—Thomas Fleming, New York Times bestselling author of The Officers’ Wives, Time and Tide and The Perils of Peace

American Lightning strikes at the soul of Los Angeles the way Ragtime revealed turn-of-the-century New York. Like E. L. Doctorow, Howard Blum has captured a time and a place through masterful manipulation of true events, weaving an intricate tale of class war and intrigue that harks back to an era when L.A. was little more than a pueblo, frontier justice still prevailed and a fabulous cast of real-life characters dragged the future metropolis kicking and screaming into the 20th Century.”
—Dennis McDougal, New York Times bestselling author of The Last Mogul: Lew Wasserman, MCA, and the Hidden History of Hollywood and Privileged Son: Otis Chandler and the Rise and Fall of the LA Times Dynasty

“Master detective William Burns on one side and famed attorney Clarence Darrow on the other…A riveting account of 20th century homegrown political terrorism.”
Library Journal

Product Description
It was an explosion that reverberated across the country—and into the very heart of early-twentieth-century America. On the morning of October 1, 1910, the walls of the Los Angeles Times Building buckled as a thunderous detonation sent men, machinery, and mortar rocketing into the night air. When at last the wreckage had been sifted and the hospital triage units consulted, twenty-one people were declared dead and dozens more injured. But as it turned out, this was just a prelude to the devastation that was to come.

In American Lightning, acclaimed author Howard Blum masterfully evokes the incredible circumstances that led to the original “crime of the century”—and an aftermath more dramatic than even the crime itself.

With smoke still wafting up from the charred ruins, the city’s mayor reacts with undisguised excitement when he learns of the arrival, only that morning, of America’s greatest detective, William J. Burns, a former Secret Service man who has been likened to Sherlock Holmes. Surely Burns, already world famous for cracking unsolvable crimes and for his elaborate disguises, can run the perpetrators to ground.

Through the work of many months, snowbound stakeouts, and brilliant forensic sleuthing, the great investigator finally identifies the men he believes are responsible for so much destruction. Stunningly, Burns accuses the men—labor activists with an apparent grudge against the Los Angeles Times’s fiercely anti-union owner—of not just one heinous deed but of being part of a terror wave involving hundreds of bombings.

While preparation is laid for America’s highest profile trial ever—and the forces of labor and capital wage hand-to-hand combat in the streets—two other notable figures are swept into the drama: industry-shaping filmmaker D.W. Griffith, who perceives in these events the possibility of great art and who will go on to alchemize his observations into the landmark film The Birth of a Nation; and crusading lawyer Clarence Darrow, committed to lend his eloquence to the defendants, though he will be driven to thoughts of suicide before events have fully played out.

Simultaneously offering the absorbing reading experience of a can’t-put-it-down thriller and the perception-altering resonance of a story whose reverberations continue even today, American Lightning is a masterpiece of narrative nonfiction.

About the Author
HOWARD BLUM is the author of eight previous books, including the national bestsellers Wanted!, The Gold of Exodus, and Gangland. Currently a contributing editor at Vanity Fair, Blum was also a reporter at the New York Times, where he won numerous journalism awards and was twice nominated for the Pulitzer Prize for his investigative reporting.

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Jane Austen

Jane Austen

Jane Austen

Jane Austen never goes out of style.  Several new books and movies about her and her books have recently appeared.  To help us sort these out, Arti at Ripple Effects has posted two great articles about two Austen biographies and one Austen biographical novel. One is a biography by Carol Shields, called “Jane Austen,” which I’ve read and enjoyed.  

Arti has also re-posted two articles about Jane Austen’s town of Bath, including many of his own gorgeous photographs of Bath, England. (Link below and on blogroll.)

Our book club read “The Jane Austen Book Club” by Karen Joy Fowler, and I recently saw the movie “Becoming Jane,” which attempts to fill in some of the blanks of Jane Austen’s life.   I’m not alone in confessing that I’ve seen every movie and television adaptation of Austen’s work.   She first published anonymously, but now she’s known and admired worldwide almost two centuries after her death.  She wrote about her own small world, but she speaks to the concerns of everyone, even if they only know her from the screen and not from the printed page.

To read Arti’s articles go to Ripple Effects   Arti’s blog is also on the Blatherblog blogroll. Currently, the Austen articles are at the top of Ripple Effects, but if you come to this late (What are you waiting for? Go there now!) you can use Art’s search box. Also, you can take a poll to vote on which of Austen’s heroines she was most like.  Post a comment here to tell me who your choice.  (I voted for E. D., but don’t that influence you, ha, ha.) Cathy

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Tom Wolfe

Tom Wolfe

Tom Wolfe

Tom Wolfe was recently featured in the Sept. 8, 2008, Time Magazine.

In 1998, we read Tom Wolfe’s recently published “A Man in Full,” a heavy tome that I’ve just gotten from the shelf and dusted off. I remember it was hot enough off the press then that I had to buy the thing. The waiting list at the library was too long. 

Mostly what I remember about the book was a scene at a horse stud farm.  It starts on page 301 in the 1998 first trade edition.  This is a G rated blog, so I’m sorry I can’t share it with you here.  There are four audio and seventeen print copies available at our library,  and probably some copies at your own library, if you’re curious.

We read another horse-related book, Jane Smiley’s “Horse Heaven,” which I liked better.  From Smiley’s book I learned about calming ponies and companion animals for race horses, which can also apply to humans just as easily.

In Time Magazine, Wolfe answered Ten Questions.  Here’s the link. The ’60s classic The Electric Kool-Aid Acid Test celebrates its 40th anniversary.    He talks about New Journalism and Hunter S. Thompson.  I wrote about Wolfe and Thompson in a post called There Will Be Blog. 

I didn’t read the Electric Kool-Aid Acid Test, but I did take on Bonfire of the Vanities even before the movie came out.  In 1987, while traveling, my husband chose a seat next to Wolfe in the Boston airport. I would have chosen to sit farther away, since Wolfe looked so spiffy in his customary white suit, and I looked so scruffy after a day roaming the city on foot and on the T.  Wolfe was on a book tour plugging Bonfire.  In the book, Wolfe mentions scruffy travelers at airports.  Apparently, I wasn’t the first or even the worst one he’s ever seen.

Spoiler Alert: The concept of “Bonfire of the Vanities” has been used in a number of books, including The Rule of Four by Ian Caldwell and Dustin Thomason, which we read in 2004, the year it was published.  In 1497 in Florence, Italy, Girolamo Savonarola, a Dominican priest, and his followers gathered up thousands of items of what they considered moral laxity, such as musical intruments, wordly art (including works by Michelangelo and Botticelli), mirrors, chess pieces — you get the picture– and had them burned.  The following year, Savonarola and a two of his followers were condemned, tortured and then burned on the same spot.

This is the link to a New York Times review about A Man in Full.  It doesn’t say anything about horses.     A Man in Tune With His Heritage; In His New Novel, Tom Wolfe Unearths His Southern Roots 

 Here’s a link to a review of The Rule of FourBOOKS OF THE TIMES; Deciphering a Mysterious Text and Puzzles of the Soul You’ll have to find a Bonfire of the Vanities review on your own. Cathy

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George Orwell is a Blogger!

George Orwell

George Orwell.

George Orwell’s diaries are now available in blog form.  A prolific writer, Orwell wrote about everything, including everyday life, writing, and, of course, politics.  The blog posts mirror his diary entries from seventy years ago.  On Sept. 7, his political entries from 1938 begin on the blog.  We all know what terrible events were happening in Europe at that time.

The blog address is www.orwelldiaries.wordpress.com  The blog is sponsored by the Orwell Prize for writing, in association with the Orwell Trust, Political Quarterly and Media Standard Trust in Great Britain.  An article in the New York Times about this blog inspired me to write about Orwell on my own blog.  Here’s the link to my Orwell Article, which will lead you to more links, including the New York Times link……….Cathy

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